Standard Moving Blankets
Blanket 1 [Non-extant], 2015
Blanket 2 [Gary LaPointe Jr., stolen black bike, stolen black bike rack, 9.30.2014-10.11.2014. W. North Ave./Claremont Ave. CHI. IL. USA, 2014, bike frame, chain, U-lock and bike rack; Elizabeth Van Loan, Untitled, 2015, water, container, pigment; Elizabeth Van Loan, Surface Treatment, 2016, honey, milk; Robert Burnier, Petskribon Preter la Du (Glove), 2016, Acrylic on aluminum*], 2016
Blanket 3 [Gary LaPointe Jr., stolen black bike, stolen black bike rack, 9.30.2014-10.11.2014. W. North Ave./Claremont Ave. CHI. IL. USA, 2014, bike frame, chain, U-lock and bike rack; Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Luis Rodriguez Rosario, Se construye con losa criolla, 2015, Inkjet mounted on plaster], 2016
Blanket 4 [Gary LaPointe Jr., stolen black bike, stolen black bike rack, 9.30.2014-10.11.2014. W. North Ave./ Claremont Ave. CHI. IL. USA, 2014, bike frame, chain, U-Lock and bike rack; Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Gary LaPointe Jr., stolen black bike, stolen black bike rack, 9.30.2014-10.11.2014. W. North Ave./ Claremont Ave. CHI. IL. USA, 2014, bike frame, chain, U-Lock and bike rack; Jennifer Chen-Su Huang, goo goo too, 2017, wooden bead, wire, styrofoam packing peanut, porcelain cast AA battery, heat press printed pillows, twig, moss, ceramic fragment with cotton pulp, porcelain cast clown nose, wood devoured by bark beetle, ceramic fragments, extruded clay tubes, beet juice stained birch plywood, birch plywood stool, ear plugs, scratched CD, textile loop magnifier, rock, tiny broom made of human hair and clay, graphite on mylar and the irregularities of the floor; Cathy Hsiao, Dance Curve | 舞曲, 2018, Concrete, plaster, zinc, brazilwood, indigo; Thomas Huston, Hand Holding Egg (XV), 2020, graphite on Notice to Voters on Vote by Mail], 2020
Blanket 5 [Gary LaPointe Jr., polished tire, polished nail, 2015, popped car tire, wax; Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Lauren Yeager, Untitled, 2016, shipping pallets, wood, plastic wrap; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (3 of 5); Leonard Suryajaya, Gap, 2015, Archival inkjet print; Shir Ende, Gareth's Apartment [Gray] 1, 2020, Screenprint on paper; Shir Ende, Gareth's Apartment [Gray] 2, 2020, Screenprint on paper; Shir Ende, Gareth's Apartment [Gray] 3, 2020, Screenprint on paper; Shir Ende, Gareth's Apartment [White], 2020, Screenprint on paper], 2020
Blanket 6 [Gary LaPointe Jr., milk crate, 2015, cut found milk crates, 1of 64; Noel Madison Fetting-Smith, Shelves of Knowledge, 2014-16, Accumulated Knowledge in Books, Unused Wood from Knowledge Lab, Indicators of Knowledge Status, Cost: $32,000 (Current Student Loan Debt); Kelly Lloyd, for Just Business Agency, 2017, office dictionary/thesaurus set; Arnold J. Kemp, SCULPTURE (the history of), 2012, artist’s cast aluminum figurine, exhibition announcement (Gagosian Gallery), cardboard shipping box and ceramic sculpture (Matthew Marks Gallery); Cathy Hsiao, Dance Curve three | 舞曲三, 2018, Concrete, plaster, brazilwood, indigo, zinc, protea pistil and petal], 2018
Blanket 7 [Gary LaPointe Jr., polished rebar stack, collection of 6, 2015, found and altered rebar segments; Rocío Azarloza, Mlejnas, 2016, cement, rebar, glass, water, and light; Lauren Yeager, Coral Snake (decoy), 2016, water hose, acrylic paint, 8 ft.; Kelly Lloyd, for Just Business Agency, 2017, desk; Kelly Lloyd, for Just Business Agency, 2017, cork message board], 2017
Blanket 8 [Gary LaPointe Jr., hoop_line, 2015, found and altered basketball hoop; Derrick Woods-Morrow, Deep into the bushes…, 2016, sculpture: letterpress mounted in wooden frame with glass; Cathy Hsiao, Lavender Gutter, 2016, Concrete cast into found gutter, rebar, tea, gold dust], 2016
Blanket 9 [Rocío Azarloza, Mlejnas, 2016, cement, rebar, glass, water, and light; Kelly Lloyd, for Just Business Agency, 2017, desk; Kelly Lloyd, for Just Business Agency, 2017, decorative office art (flower photograph); Oli Rodriguez, The Markings Project (Breathplay), 2013, Archival inkjet print; Cathy Hsiao, Dance Curve two | 舞曲二, 2018, Concrete, plaster, zinc, brazilwood, indigo, silicone grip ties; Robert Chase Heishman, Indefinite Free Time (Ansi), 2018, Conestoga oak wall panel, sheet protector, archival inkjet print], 2020
Blanket 10 [Rocío Azarloza, Mlejnas, 2016, cement, rebar, glass, water, and light; Kelly Lloyd, Neighborhood Bars, 2016, vinyl; Arnold J. Kemp, WHEN WILL MY LOVE BE RIGHT, 2013, galvanized welded and riveted steel, brass, copper and seashell; Cathy Hsiao, Untitled 6 (Songbook for Sculpture series), 2017, Concrete, plaster, indigo, brazilwood, tea, textile dyes, sawdust, brass, carabiner], 2018
Blanket 11 [Rocío Azarloza, Mlejnas, 2016, cement, rebar, glass, water, and light; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (5 of 5); Cathy Hsiao, Soft As Snow (But Warm Inside) | 雪音, 2018, Concrete, plaster, indigo, brazilwood, dyed wall paint, repurposed panel, metal screws; Sterling Lawrence, Field Pairing, 2018, Urethane rubber, formica, dibond], 2020
Blanket 12 [Rocío Azarloza, Mlejnas, 2016, cement, rebar, glass, water, and light; J Michael Ford, Untitled, 2016, Conduit, automotive paint, chain, faux flower], 2016
Blanket 13 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric], 2016
Blanket 14 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; April Martin and Elizabeth Van Loan, Cheese Fridge, 2016, Mini-fridge, cheese], 2016
Blanket 15 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric], 2016
Blanket 16 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Kelly Lloyd, for Just Business Agency, 2017, side table], 2017
Blanket 17 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Arnold J. Kemp, IN BLACK AND WHITE SPACES WE CAN’T LOSE OUR LOSS, 2013, handmade suede boots, seashells and welded steel; Cathy Hsiao, Untitled 1 (Songbook for Sculpture series), 2017, Concrete, plaster, indigo, brazilwood, chamomile tea, brass, sawdust], 2018
Blanket 18 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Houff Foundation, Temporary Ohio Branch, Home Office, 2016; James Quarles, protecting and serving, acrylic on plywood, 2016; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (4 of 5); Leonard Suryajaya, Round Table Conference, 2016, Archival inkjet print], 2017
Blanket 19 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric], 2016
Blanket 20 [Noel Madison Fetting-Smith, Residual Matter, 2016, Underutilized Desk and Chairs from Chicago Public Schools, Utilized Emerald Ash, Cotton Rope, Concrete, Dislocated Axe Head, Embedded Stake, Mig Welding Wire, Cost: $6.2 Billion (Current Debt of Chicago Public Schools); Cathy Hsiao, Indigo Bloom (lumber) | 開花移動, 2018, Concrete, plaster, zinc, brazilwood, indigo], 2018
Blanket 21 [Noel Madison Fetting-Smith, Residual Matter, 2016, Underutilized Desk and Chairs from Chicago Public Schools, Utilized Emerald Ash, Cotton Rope, Concrete, Dislocated Axe Head, Embedded Stake, Mig Welding Wire, Cost: $6.2 Billion (Current Debt of Chicago Public Schools)], 2016
Blanket 22 [Noel Madison Fetting-Smith, Residual Matter, 2016, Underutilized Desk and Chairs from Chicago Public Schools, Utilized Emerald Ash, Cotton Rope, Concrete, Dislocated Axe Head, Embedded Stake, Mig Welding Wire, Cost: $6.2 Billion (Current Debt of Chicago Public Schools); Kelly Lloyd, Neighborhood Bars, 2016, vinyl; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (4 of 5); Oli Rodriguez, Child’s Large (Leather Dress), 2013, Archival inkjet print; Cathy Hsiao, Proxy two | 野生, 2018, Concrete, plaster, brazilwood, indigo, turmeric, chamomile tea, sharpie, silicone grip ties], 2018
Blanket 23 [Noel Madison Fetting-Smith, Residual Matter, 2016, Underutilized Desk and Chairs from Chicago Public Schools, Utilized Emerald Ash, Cotton Rope, Concrete, Dislocated Axe Head, Embedded Stake, Mig Welding Wire, Cost: $6.2 Billion (Current Debt of Chicago Public Schools); Arnold J. Kemp, WHEN WILL MY LOVE BE RIGHT, 2013, galvanized welded and riveted steel, brass, copper and seashell; Cathy Hsiao, Rococo two | 洛可可 二, 2018, Concrete, plaster, zinc, brazilwood, indigo], 2018
Blanket 24 [Noel Madison Fetting-Smith, Residual Matter, 2016, Underutilized Desk and Chairs from Chicago Public Schools, Utilized Emerald Ash, Cotton Rope, Concrete, Dislocated Axe Head, Embedded Stake, Mig Welding Wire, Cost: $6.2 Billion (Current Debt of Chicago Public Schools); Cathy Hsiao, Indigo Bloom Gutter, 2016, Concrete cast into found gutter, rebar, bloom of indigo], 2016
Blanket 25 [Noel Madison Fetting-Smith, Shelves of Knowledge, 2014-16, Accumulated Knowledge in Books, Unused Wood from Knowledge Lab, Indicators of Knowledge, Cost: $32,000 (Current Student Debt), April Martin and Elizabeth Van Loan, Cheese Fridge, 2016, Mini-fridge, cheese], 2016
Blanket 26 [Derrick Woods-Morrow, Boots of William, 2016, resin], 2016
Blanket 27 [Elizabeth Van Loan, Untitled, 2016, water, container, pigment; Gary LaPointe Jr., stolen black bike, stolen black bike rack, 9.30.2014-10.11.2014. W. North Ave./ Claremont Ave. CHI. IL. USA, 2014, bike frame, chain, U-Lock and bike rack; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (1 of 5); Jennifer Chen-Su Huang, goo goo too, 2017, wooden bead, wire, styrofoam packing peanut, porcelain cast AA battery, heat press printed pillows, twig, moss, ceramic fragment with cotton pulp, porcelain cast clown nose, wood devoured by bark beetle, ceramic fragments, extruded clay tubes, beet juice stained birch plywood, birch plywood stool, ear plugs, scratched CD, textile loop magnifier, rock, tiny broom made of human hair and clay, graphite on mylar and the irregularities of the floor; Cathy Hsiao, Rococo two | 洛可可 二, 2018, Concrete, plaster, zinc, brazilwood, indigo], 2018
Blanket 28 [Elizabeth Van Loan, Untitled, 2016, water, container, pigment; Cathy Hsiao, Walking History on One Foot | 腳一, 2018, Concrete, plaster, graphite, textile dye, zinc, brass screw], 2018
Blanket 29 [Elizabeth Van Loan, Untitled, 2015, water, container, pigment; J Michael Ford, Untitled, 2016, Conduit, automotive paint, chain, faux flower], 2016
Blanket 30 [Elizabeth Van Loan, Untitled, 2016, water, container, pigment; Kelly Lloyd, for Just Business Agency, 2017, desk; Leonard Suryajaya, Candyman, 2016, Archival inkjet print; Cathy Hsiao, Rococo | 洛可可, 2018, Concrete, plaster, zinc, brazilwood, indigo, chamomile tea, acrylic, plasticine; Cathy Hsiao, Impossible | 花密音, 2018, Concrete, plaster, zinc, brass, brazilwood, indigo, chamomile tea, plasticine; Robert Chase Heishman, Indefinite Free Time (Ansi), 2018, Conestoga oak wall panel, sheet protector, archival inkjet print], 2020
Blanket 31 [Derrick Woods-Morrow, Monolith I - What if none of them gives you the universe?, 2015, sculpture: glass and cement; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (2 of 5); Kelly Lloyd, for Just Business Agency, 2017, decorative fake tree; Jennifer Chen-Su Huang, goo goo too, 2017, wooden bead, wire, styrofoam packing peanut, porcelain cast AA battery, heat press printed pillows, twig, moss, ceramic fragment with cotton pulp, porcelain cast clown nose, wood devoured by bark beetle, ceramic fragments, extruded clay tubes, beet juice stained birch plywood, birch plywood stool, ear plugs, scratched CD, textile loop magnifier, rock, tiny broom made of human hair and clay, graphite on mylar and the irregularities of the floor], 2017
Blanket 32 [Derrick Woods-Morrow, Monolith I - What if none of them gives you the universe?, 2015, sculpture: glass and cement], 2016
Blanket 33 [Derrick Woods-Morrow, Monolith I - What if none of them gives you the universe?, 2015, sculpture: glass and cement], 2016
Blanket 34 [Derrick Woods-Morrow, No, We Mustn’t Be: As They Are Without You, 2015, sculpture: treated railroad tie, stain, lacquer, varnish, household paint, garment], 2016
Blanket 35 [Derrick Woods-Morrow, No, We Mustn’t Be: As They Are Without You, 2015, sculpture: treated railroad tie, stain, lacquer, varnish, household paint, garment], 2016
Blanket 36 [Derrick Woods-Morrow, On Tuesday, October 12, the room was red, 2016, mixed media: multiple pigment prints, letterpress mounted between glass with wooden frame, plants, faux terra cotta planter], 2016
Blanket 37 [Derrick Woods-Morrow, On Tuesday, October 12, the room was red, 2016, mixed media: multiple pigment prints, letterpress mounted between glass with wooden frame, plants, faux terra cotta planter; Leonard Suryajaya, Familial, 2016, Archival inkjet print; Cathy Hsiao, Rococo | 洛可可, 2018, Concrete, plaster, zinc, brazilwood, indigo, chamomile tea, acrylic, plasticine; Cathy Hsiao, Impossible | 花密音, 2018, Concrete, plaster, zinc, brass, brazilwood, indigo, chamomile tea, plasticine], 2018
Blanket 38 [Derrick Woods-Morrow, Assemblage (III) - Once, When you were five years old, 2016, red wagon, handlebar, framed warning label under glass], 2016
Blanket 39 [Derrick Woods-Morrow, We played for hours and left you this… (Touch), 2015, pigment print], 2016
Blanket 40 [Anna Orlikowska, The space between us (Sound Tool), 2016, wood], 2016
Blanket 41 [Anna Orlikowska, The space between us (Sound Tool), 2016, wood], 2016
*Petskribon Preter la Du (Glove) (Robert Burnier, 2016) was ultimately not included in this project. It remains in the title of Blanket 2 as a record of the type of negotiation vital to a work rooted in ongoing collaboration, conversation, and coordination. -TH